Skip to main content
Top
Gepubliceerd in: Psychological Research 1/2021

22-08-2019 | Original Article

Relative contribution of pitch and brightness to the auditory kappa effect

Auteurs: Nicolas Marty, Maxime Marty, Micha Pfeuty

Gepubliceerd in: Psychological Research | Uitgave 1/2021

Log in om toegang te krijgen
share
DELEN

Deel dit onderdeel of sectie (kopieer de link)

  • Optie A:
    Klik op de rechtermuisknop op de link en selecteer de optie “linkadres kopiëren”
  • Optie B:
    Deel de link per e-mail

Abstract

Pitch height is known to interfere with temporal judgment. This is the case in the auditory kappa effect in which the relative degree of pitch distance separating two tones extends the perceived duration of the inter-onset interval (IOI). However, pitch variations which result from manipulations of the fundamental frequency of tones are associated with variations of the spectral centroid, which is related to the perceived brightness. The present study aimed at determining the relative contribution of pitch and brightness to the auditory kappa effect. Forty-eight participants performed an AXB paradigm (tone X was shifted to be closer to either tone A or B) in three conditions: the three tones varied in both pitch and brightness (PB condition), pitch varied but brightness was fixed (P condition) or brightness varied but pitch was fixed (B condition). Pitch and brightness were modified by manipulating the fundamental frequency (F0) and the spectral centroid of the tones, respectively. In each condition, the percentage of trials in which the first IOI was perceived as shorter increased as X was closer (in pitch and/or brightness) to A. Furthermore, the magnitude of the effect was larger in PB than in P condition, while it did not differ between PB and B conditions, suggesting that brightness would contribute more than pitch height to the auditory kappa effect. This study provides the first evidence that auditory brightness interferes with duration judgment and highlights the importance to consider jointly the role of pitch height and brightness in future studies on auditory temporal processing.
Bijlagen
Alleen toegankelijk voor geautoriseerde gebruikers
Literatuur
go back to reference Alards-Tomalin, D., Leboe-McGowan, J. P., Shaw, J. D. M., & Leboe-McGowan, L. C. (2014). The effects of numerical magnitude, size, and color saturation on perceived interval duration. Journal of Experimental Psychology. Learning, Memory, and Cognition, 40(2), 555–566. https://doi.org/10.1037/a0035031.CrossRefPubMed Alards-Tomalin, D., Leboe-McGowan, J. P., Shaw, J. D. M., & Leboe-McGowan, L. C. (2014). The effects of numerical magnitude, size, and color saturation on perceived interval duration. Journal of Experimental Psychology. Learning, Memory, and Cognition, 40(2), 555–566. https://​doi.​org/​10.​1037/​a0035031.CrossRefPubMed
go back to reference Beal, A. L. (1985). The skill of recognizing musical structures. Memory & Cognition, 13(5), 405–412.CrossRef Beal, A. L. (1985). The skill of recognizing musical structures. Memory & Cognition, 13(5), 405–412.CrossRef
go back to reference Cohen, J., Hansel, C. E., & Sylvester, J. D. (1953). A new phenomenon in time judgment. Nature, 172(4385), 901.CrossRef Cohen, J., Hansel, C. E., & Sylvester, J. D. (1953). A new phenomenon in time judgment. Nature, 172(4385), 901.CrossRef
go back to reference Cohen, J., Hansel, C. E., & Sylvester, J. D. (1954). Interdependence of temporal and auditory judgments. Nature, 174(4431), 642–644.CrossRef Cohen, J., Hansel, C. E., & Sylvester, J. D. (1954). Interdependence of temporal and auditory judgments. Nature, 174(4431), 642–644.CrossRef
go back to reference Crowder, R. G., & Neath, I. (1995). The influence of pitch on time perception in short melodies. Music Perception, 12, 379–386.CrossRef Crowder, R. G., & Neath, I. (1995). The influence of pitch on time perception in short melodies. Music Perception, 12, 379–386.CrossRef
go back to reference Gibson, J. J. (1975). Events are perceivable but time is not. In J. T. Fraser & N. Lawrence (Eds.), The Study of Time: II (pp. 295–301). New York: Springer.CrossRef Gibson, J. J. (1975). Events are perceivable but time is not. In J. T. Fraser & N. Lawrence (Eds.), The Study of Time: II (pp. 295–301). New York: Springer.CrossRef
go back to reference Grey, J. M. (1977). Multidimensional perceptual scaling of musical timbres. The Journal of the Acoustical Society of America, 61(5), 1270–1277.CrossRef Grey, J. M. (1977). Multidimensional perceptual scaling of musical timbres. The Journal of the Acoustical Society of America, 61(5), 1270–1277.CrossRef
go back to reference Landy, L. (2007). Understanding the art of sound organization. Cambridge et Londres: MIT Press.CrossRef Landy, L. (2007). Understanding the art of sound organization. Cambridge et Londres: MIT Press.CrossRef
go back to reference MacKenzie, N. (2007). The kappa effect in pitch/time context. Unpublished doctoral dissertation. Ohio: Ohio State University. MacKenzie, N. (2007). The kappa effect in pitch/time context. Unpublished doctoral dissertation. Ohio: Ohio State University.
go back to reference McAdams, S. (2013). Musical timbre perception. In D. Deutsch (Ed.), The Psychology of Music (3rd ed., pp. 35–67). San Diego: Academic Press.CrossRef McAdams, S. (2013). Musical timbre perception. In D. Deutsch (Ed.), The Psychology of Music (3rd ed., pp. 35–67). San Diego: Academic Press.CrossRef
go back to reference McAdams, S., Winsberg, S., Donnadieu, S., De Soete, G., & Krimphoff, J. (1995). Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes. Psychological Research, 58(3), 177–192.CrossRef McAdams, S., Winsberg, S., Donnadieu, S., De Soete, G., & Krimphoff, J. (1995). Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes. Psychological Research, 58(3), 177–192.CrossRef
go back to reference Melara, R. D., & Marks, L. E. (1990). Interaction among auditory dimensions: Timbre, pitch, and loudness. Perception & Psychophysics, 48(2), 169–178.CrossRef Melara, R. D., & Marks, L. E. (1990). Interaction among auditory dimensions: Timbre, pitch, and loudness. Perception & Psychophysics, 48(2), 169–178.CrossRef
go back to reference Pitt, M. A. (1994). Perception of pitch and timbre by musically trained and untrained listeners. Journal of Experimental Psychology: Human Perception and Performance, 20(5), 976–986.PubMed Pitt, M. A. (1994). Perception of pitch and timbre by musically trained and untrained listeners. Journal of Experimental Psychology: Human Perception and Performance, 20(5), 976–986.PubMed
go back to reference Pratt, C. C. (1930). The spatial character of high and low tones. Journal of Experimental Psychology, 13, 278–285.CrossRef Pratt, C. C. (1930). The spatial character of high and low tones. Journal of Experimental Psychology, 13, 278–285.CrossRef
go back to reference Rammsayer, T., & Altenmüller, E. (2006). Temporal information processing in musicians and nonmusicians. Music Perception, 24(1), 37–48.CrossRef Rammsayer, T., & Altenmüller, E. (2006). Temporal information processing in musicians and nonmusicians. Music Perception, 24(1), 37–48.CrossRef
go back to reference Russo, F. A., & Thompson, W. F. (2005). An interval size illusion: The influence of timbre on the perceived size of melodic intervals. Perception & Psychophysics, 67(4), 559–568.CrossRef Russo, F. A., & Thompson, W. F. (2005). An interval size illusion: The influence of timbre on the perceived size of melodic intervals. Perception & Psychophysics, 67(4), 559–568.CrossRef
go back to reference Schubert, E., & Wolfe, J. (2006). Does timbral brightness scale with frequency and spectral centroid? Acta Acustica united with Acustica, 92(5), 820–825. Schubert, E., & Wolfe, J. (2006). Does timbral brightness scale with frequency and spectral centroid? Acta Acustica united with Acustica, 92(5), 820–825.
go back to reference Semal, C., & Demany, L. (1991). Dissociation of pitch from timbre in auditory short-term memory. The Journal of the Acoustical Society of America, 89(5), 2404–2410.CrossRef Semal, C., & Demany, L. (1991). Dissociation of pitch from timbre in auditory short-term memory. The Journal of the Acoustical Society of America, 89(5), 2404–2410.CrossRef
go back to reference Semal, C., & Demany, L. (1993). Further evidence for an autonomous processing of pitch in auditory short-term memory. The Journal of the Acoustical Society of America, 94(3 Pt 1), 1315–1322.CrossRef Semal, C., & Demany, L. (1993). Further evidence for an autonomous processing of pitch in auditory short-term memory. The Journal of the Acoustical Society of America, 94(3 Pt 1), 1315–1322.CrossRef
go back to reference Shigeno, S. (1986). The auditory tau and kappa effects for speech and nonspeech stimuli. Perception & Psychophysics, 40(1), 9–19.CrossRef Shigeno, S. (1986). The auditory tau and kappa effects for speech and nonspeech stimuli. Perception & Psychophysics, 40(1), 9–19.CrossRef
go back to reference Shigeno, S. (1993). The interdependence of pitch and temporal judgments by absolute pitch possessors. Perception & Psychophysics, 54(5), 682–692.CrossRef Shigeno, S. (1993). The interdependence of pitch and temporal judgments by absolute pitch possessors. Perception & Psychophysics, 54(5), 682–692.CrossRef
go back to reference Singh, P. G., & Hirsh, I. J. (1992). Influence of spectral locus and F0 changes on the pitch and timbre of complex tones. The Journal of the Acoustical Society of America, 92(5), 2650–2661.CrossRef Singh, P. G., & Hirsh, I. J. (1992). Influence of spectral locus and F0 changes on the pitch and timbre of complex tones. The Journal of the Acoustical Society of America, 92(5), 2650–2661.CrossRef
go back to reference Walsh, V. (2003). A theory of magnitude: Common cortical metrics of time, space and quantity. Trends in Cognitive Sciences, 7(11), 483–488.CrossRef Walsh, V. (2003). A theory of magnitude: Common cortical metrics of time, space and quantity. Trends in Cognitive Sciences, 7(11), 483–488.CrossRef
go back to reference Warrier, C. M., & Zatorre, R. J. (2002). Influence of tonal context and timbral variation on perception of pitch. Perception & Psychophysics, 64(2), 198–207.CrossRef Warrier, C. M., & Zatorre, R. J. (2002). Influence of tonal context and timbral variation on perception of pitch. Perception & Psychophysics, 64(2), 198–207.CrossRef
Metagegevens
Titel
Relative contribution of pitch and brightness to the auditory kappa effect
Auteurs
Nicolas Marty
Maxime Marty
Micha Pfeuty
Publicatiedatum
22-08-2019
Uitgeverij
Springer Berlin Heidelberg
Gepubliceerd in
Psychological Research / Uitgave 1/2021
Print ISSN: 0340-0727
Elektronisch ISSN: 1430-2772
DOI
https://doi.org/10.1007/s00426-019-01233-y

Andere artikelen Uitgave 1/2021

Psychological Research 1/2021 Naar de uitgave