Skip to main content
Top
Gepubliceerd in: Psychological Research 1/2014

01-01-2014 | Original Article

Metrical perception of trisyllabic speech rhythms

Auteur: Fernando Benadon

Gepubliceerd in: Psychological Research | Uitgave 1/2014

Log in om toegang te krijgen
share
DELEN

Deel dit onderdeel of sectie (kopieer de link)

  • Optie A:
    Klik op de rechtermuisknop op de link en selecteer de optie “linkadres kopiëren”
  • Optie B:
    Deel de link per e-mail

Abstract

The perception of duration-based syllabic rhythm was examined within a metrical framework. Participants assessed the duration patterns of four-syllable phrases set within the stress structure XxxX (an Abercrombian trisyllabic foot). Using on-screen sliders, participants created percussive sequences that imitated speech rhythms and analogous non-speech monotone rhythms. There was a tendency to equalize the interval durations for speech stimuli but not for non-speech. Despite the perceptual regularization of syllable durations, different speech phrases were conceived in various rhythmic configurations, pointing to a diversity of perceived meters in speech. In addition, imitations of speech stimuli showed more variability than those of non-speech. Rhythmically skilled listeners exhibited lower variability and were more consistent with vowel-centric estimates when assessing speech stimuli. These findings enable new connections between meter- and duration-based models of speech rhythm perception.
Bijlagen
Alleen toegankelijk voor geautoriseerde gebruikers
Voetnoten
1
Witten does not explain the omission of two other possible permutations of 1’s and 2’s—namely, the quadruple 1:1:2 and the quintuple 1:2:2.
 
2
Yet, the opposite occurred in Repp, London & Keller (2005), where musicians tapped all permutations of the metrically complex patterns 2:2:3 and 2:3:3. The two nominally different ratios were now contrasted toward a 2:1 (or 1:2) ratio.
 
Literatuur
go back to reference Abercrombie, D. (1964). Syllable quantity and enclitics in English. In D. Abercrombie, et al. (Eds.), In honour of Daniel Jones: Papers contributed on the occasion of his eightieth birthday, 12 September 1961. London: Longman. Abercrombie, D. (1964). Syllable quantity and enclitics in English. In D. Abercrombie, et al. (Eds.), In honour of Daniel Jones: Papers contributed on the occasion of his eightieth birthday, 12 September 1961. London: Longman.
go back to reference Allen, G. D. (1972). The location of rhythmic stress beats in English: An experimental study. Language and Speech, 15, 72–100, 179–195. Allen, G. D. (1972). The location of rhythmic stress beats in English: An experimental study. Language and Speech, 15, 72–100, 179–195.
go back to reference Attridge, D. (1982). The rhythms of English poetry. London: Longman. Attridge, D. (1982). The rhythms of English poetry. London: Longman.
go back to reference Barnes, R., & Jones, M. R. (2000). Expectancy, attention, and time. Cognitive Psychology, 41, 254–311.PubMedCrossRef Barnes, R., & Jones, M. R. (2000). Expectancy, attention, and time. Cognitive Psychology, 41, 254–311.PubMedCrossRef
go back to reference Benadon, F. (2009). Speech rhythms and metric frames. Proceedings of the Second International Conference of the Society for Mathematics and Computation in Music, New Haven (pp. 22–31). Benadon, F. (2009). Speech rhythms and metric frames. Proceedings of the Second International Conference of the Society for Mathematics and Computation in Music, New Haven (pp. 22–31).
go back to reference Bent, T., Bradlow, A. R., & Smith, B. L. (2008). Production and perception of temporal patterns in native and non-native speech. Phonetica, 65(3), 131–147.PubMedCentralPubMedCrossRef Bent, T., Bradlow, A. R., & Smith, B. L. (2008). Production and perception of temporal patterns in native and non-native speech. Phonetica, 65(3), 131–147.PubMedCentralPubMedCrossRef
go back to reference Block, R. A. (1978). Remembered duration: Effects of event and sequence complexity. Memory & Cognition, 6(3), 320–326. Block, R. A. (1978). Remembered duration: Effects of event and sequence complexity. Memory & Cognition, 6(3), 320–326.
go back to reference Clopper, C. G., Pisoni, D. B., & de Jong, K. (2005). Acoustic characteristics of the vowel systems of six regional varieties of American English. Journal of the Acoustical Society of America, 118, 1661–1676.PubMedCentralPubMedCrossRef Clopper, C. G., Pisoni, D. B., & de Jong, K. (2005). Acoustic characteristics of the vowel systems of six regional varieties of American English. Journal of the Acoustical Society of America, 118, 1661–1676.PubMedCentralPubMedCrossRef
go back to reference Collier, G. L., & Wright, C. E. (1995). Temporal rescaling of simple and complex ratios in rhythmic tapping. Journal of Experimental Psychology: Human Perception and Performance, 21(3), 602–627.PubMed Collier, G. L., & Wright, C. E. (1995). Temporal rescaling of simple and complex ratios in rhythmic tapping. Journal of Experimental Psychology: Human Perception and Performance, 21(3), 602–627.PubMed
go back to reference Cooper, W. E., & Eady, S. J. (1986). Metrical phonology in speech production. Journal of Memory and Language, 25, 369–384.CrossRef Cooper, W. E., & Eady, S. J. (1986). Metrical phonology in speech production. Journal of Memory and Language, 25, 369–384.CrossRef
go back to reference Cooper, A. M., Whalen, D. H., & Fowler, C. A. (1986). P-centers are unaffected by phonetic categorization. Perception & Psychophysics, 39, 187–196.CrossRef Cooper, A. M., Whalen, D. H., & Fowler, C. A. (1986). P-centers are unaffected by phonetic categorization. Perception & Psychophysics, 39, 187–196.CrossRef
go back to reference Couper-Kuhlen, E. (1993). English speech rhythm: Form and function in everyday verbal interaction. Amsterdam: John Benjamins Publishing Co.CrossRef Couper-Kuhlen, E. (1993). English speech rhythm: Form and function in everyday verbal interaction. Amsterdam: John Benjamins Publishing Co.CrossRef
go back to reference Cummins, F., & Port, R. (1998). Rhythmic constraints on stress timing in English. Journal of Phonetics, 26, 145–171.CrossRef Cummins, F., & Port, R. (1998). Rhythmic constraints on stress timing in English. Journal of Phonetics, 26, 145–171.CrossRef
go back to reference Cureton, R. D. (1992). Rhythmic phrasing in English verse. London: Longman. Cureton, R. D. (1992). Rhythmic phrasing in English verse. London: Longman.
go back to reference Cutler, A. (1990). Exploiting prosodic probabilities in speech segmentation. In G. T. M. Altman (Ed.), Cognitive models of speech processing (pp. 105–121). Cambridge: MIT Press. Cutler, A. (1990). Exploiting prosodic probabilities in speech segmentation. In G. T. M. Altman (Ed.), Cognitive models of speech processing (pp. 105–121). Cambridge: MIT Press.
go back to reference Darwin, C. J., & Donovan, A. (1980). Perceptual studies of speech rhythm: Isochrony and intonation. In J. C. Simon (Ed.), Spoken language generation and understanding (pp. 77–85). Dordrecht: D. Reidel. Darwin, C. J., & Donovan, A. (1980). Perceptual studies of speech rhythm: Isochrony and intonation. In J. C. Simon (Ed.), Spoken language generation and understanding (pp. 77–85). Dordrecht: D. Reidel.
go back to reference Dauer, R. M. (1983). Stress-timing and syllable-timing reanalyzed. Journal of Phonetics, 11, 51–62. Dauer, R. M. (1983). Stress-timing and syllable-timing reanalyzed. Journal of Phonetics, 11, 51–62.
go back to reference Desain, P., & Honing, H. (2003). The formation of rhythmic categories and metric priming. Perception, 32, 341–365.PubMedCrossRef Desain, P., & Honing, H. (2003). The formation of rhythmic categories and metric priming. Perception, 32, 341–365.PubMedCrossRef
go back to reference Dilley, L. C. (1997). Some factors influencing duration between syllables judged perceptually isochronous. Journal of the Acoustical Society of America, 102, 3205–3206.CrossRef Dilley, L. C. (1997). Some factors influencing duration between syllables judged perceptually isochronous. Journal of the Acoustical Society of America, 102, 3205–3206.CrossRef
go back to reference Donovan, A., & Darwin, C. J. (1979). The perceived rhythm of speech. Proceedings of the Ninth International Congress of Phonetic Sciences, Copenhagen, Vol. 2 (pp. 268–274). Donovan, A., & Darwin, C. J. (1979). The perceived rhythm of speech. Proceedings of the Ninth International Congress of Phonetic Sciences, Copenhagen, Vol. 2 (pp. 268–274).
go back to reference Drake, C., & Botte, M. C. (1993). Tempo sensitivity in auditory sequences: Evidence for a multiple-look model. Perception & Psychophysics, 54, 277–286.CrossRef Drake, C., & Botte, M. C. (1993). Tempo sensitivity in auditory sequences: Evidence for a multiple-look model. Perception & Psychophysics, 54, 277–286.CrossRef
go back to reference Echols, C. H., Crowhurst, M. J., & Childers, J. B. (1997). The perception of rhythmic units in speech by infants and adults. Journal of Memory and Language, 36, 202–225.CrossRef Echols, C. H., Crowhurst, M. J., & Childers, J. B. (1997). The perception of rhythmic units in speech by infants and adults. Journal of Memory and Language, 36, 202–225.CrossRef
go back to reference Essens, P., & Povel, D. (1985). Metrical and nonmetrical representations of temporal patterns. Perception & Psychophysics, 37, 1–7.CrossRef Essens, P., & Povel, D. (1985). Metrical and nonmetrical representations of temporal patterns. Perception & Psychophysics, 37, 1–7.CrossRef
go back to reference Fabb, N., & Halle, M. (2008). Meter in poetry: A new theory. Cambridge: Cambridge University Press.CrossRef Fabb, N., & Halle, M. (2008). Meter in poetry: A new theory. Cambridge: Cambridge University Press.CrossRef
go back to reference Fant, G., Kruckenberg, A., & Nord, L. (1991). Stress patterns and rhythm in the reading of prose and poetry with analogies to music performance. In J. Sundberg, L. Nord, & R. Carlson (Eds.), Music, language, speech and brain (pp. 380–407). Stockholm: MacMillan Press. Fant, G., Kruckenberg, A., & Nord, L. (1991). Stress patterns and rhythm in the reading of prose and poetry with analogies to music performance. In J. Sundberg, L. Nord, & R. Carlson (Eds.), Music, language, speech and brain (pp. 380–407). Stockholm: MacMillan Press.
go back to reference Fitch, W. T., & Rosenfeld, A. J. (2007). Perception and production of syncopated rhythms. Music Perception, 25(1), 43–58.CrossRef Fitch, W. T., & Rosenfeld, A. J. (2007). Perception and production of syncopated rhythms. Music Perception, 25(1), 43–58.CrossRef
go back to reference Fowler, C. A. (1983). Converging sources of evidence on spoken and perceived rhythms of speech: Cyclic production of vowels in monosyllabic stress feet. Journal of Experimental Psychology: General, 112, 386–412.CrossRef Fowler, C. A. (1983). Converging sources of evidence on spoken and perceived rhythms of speech: Cyclic production of vowels in monosyllabic stress feet. Journal of Experimental Psychology: General, 112, 386–412.CrossRef
go back to reference Fox, R. A., & Lehiste, I. (1987). The effect of vowel quality variations on stress-beat location. Journal of Phonetics, 15, 1–13. Fox, R. A., & Lehiste, I. (1987). The effect of vowel quality variations on stress-beat location. Journal of Phonetics, 15, 1–13.
go back to reference Fraisse, P. (1956). Les structures rythmiques. Louvain: Publications Universitaires de Louvain. Fraisse, P. (1956). Les structures rythmiques. Louvain: Publications Universitaires de Louvain.
go back to reference Gerken, L. A. (1991). The metrical basis for children’s subjectless sentences. Journal of Memory and Language, 30(4), 431–451.CrossRef Gerken, L. A. (1991). The metrical basis for children’s subjectless sentences. Journal of Memory and Language, 30(4), 431–451.CrossRef
go back to reference Goldsmith, J. A. (1990). Autosegmental metrical phonology. Oxford: Basil Blackwell. Goldsmith, J. A. (1990). Autosegmental metrical phonology. Oxford: Basil Blackwell.
go back to reference Greenberg, S., Carvey, H., Hitchcock, L., & Chang, S. (2003). Temporal properties of spontaneous speech: A syllable-centric perspective. Journal of Phonetics, 31, 465–485.CrossRef Greenberg, S., Carvey, H., Hitchcock, L., & Chang, S. (2003). Temporal properties of spontaneous speech: A syllable-centric perspective. Journal of Phonetics, 31, 465–485.CrossRef
go back to reference Grube, M., & Griffiths, T. D. (2009). Metricality-enhanced temporal encoding and the subjective perception of rhythmic sequences. Cortex, 45, 72–79.PubMedCrossRef Grube, M., & Griffiths, T. D. (2009). Metricality-enhanced temporal encoding and the subjective perception of rhythmic sequences. Cortex, 45, 72–79.PubMedCrossRef
go back to reference Halle, M., & Keyser, S. J. (1971). English stress: Its form, its growth, and its role in verse. New York: Harper and Row. Halle, M., & Keyser, S. J. (1971). English stress: Its form, its growth, and its role in verse. New York: Harper and Row.
go back to reference Halle, M., & Vergnaud, J. R. (1990). An essay on stress. Cambridge: MIT Press. Halle, M., & Vergnaud, J. R. (1990). An essay on stress. Cambridge: MIT Press.
go back to reference Halle, J., & Lerdahl, F. (1993). A generative textsetting model. Current Musicology, 55, 3–23. Halle, J., & Lerdahl, F. (1993). A generative textsetting model. Current Musicology, 55, 3–23.
go back to reference Hamill, B. W. (1976). A linguistic correlate of sentential rhythmic patterns. Journal of Experimental Psychology: Human Perception and Performance, 2(1), 71–79. Hamill, B. W. (1976). A linguistic correlate of sentential rhythmic patterns. Journal of Experimental Psychology: Human Perception and Performance, 2(1), 71–79.
go back to reference Hannon, E. E. (2009). Perceiving speech rhythm in music: Listeners classify instrumental songs according to language of origin. Cognition, 111, 403–409.CrossRef Hannon, E. E. (2009). Perceiving speech rhythm in music: Listeners classify instrumental songs according to language of origin. Cognition, 111, 403–409.CrossRef
go back to reference Hannon, E. E., & Johnson, S. P. (2005). Infants use meter to categorize rhythms and melodies: implications for musical structure learning. Cognitive Psychology, 50, 354–377.PubMedCrossRef Hannon, E. E., & Johnson, S. P. (2005). Infants use meter to categorize rhythms and melodies: implications for musical structure learning. Cognitive Psychology, 50, 354–377.PubMedCrossRef
go back to reference Harsin, C. A. (1997). Perceptual-center modeling is affected by including acoustic rate-of-change modulations. Perception & Psychophysics, 59, 243–251.CrossRef Harsin, C. A. (1997). Perceptual-center modeling is affected by including acoustic rate-of-change modulations. Perception & Psychophysics, 59, 243–251.CrossRef
go back to reference Hayes, B. (1995). Metrical stress theory: Principles and case studies. London: University of Chicago Press. Hayes, B. (1995). Metrical stress theory: Principles and case studies. London: University of Chicago Press.
go back to reference Hayes, B. (2009). Textsetting as constraint conflict. In J.-L. Aroui & A. Arleo (Eds.), Towards a typology of poetic forms: From language to metrics and beyond (pp. 43–62). Philadelphia: John Benjamins Publishing Co. Hayes, B. (2009). Textsetting as constraint conflict. In J.-L. Aroui & A. Arleo (Eds.), Towards a typology of poetic forms: From language to metrics and beyond (pp. 43–62). Philadelphia: John Benjamins Publishing Co.
go back to reference Hoequist, C. E. (1983). Syllable duration in stress-, syllable- and mora-timed languages. Phonetica, 40, 203–237.CrossRef Hoequist, C. E. (1983). Syllable duration in stress-, syllable- and mora-timed languages. Phonetica, 40, 203–237.CrossRef
go back to reference Hollander, J. (1989). Rhyme’s reason. New Haven: Yale University Press. Hollander, J. (1989). Rhyme’s reason. New Haven: Yale University Press.
go back to reference Howell, P. (1988). Prediction of P-centre location from the distribution of energy in the amplitude envelope. Perception and Psychophysics, 43, 90–93.PubMedCrossRef Howell, P. (1988). Prediction of P-centre location from the distribution of energy in the amplitude envelope. Perception and Psychophysics, 43, 90–93.PubMedCrossRef
go back to reference Huron, D., & Ollen, J. (2003). Agogic contrast in French and English themes: Further support for Patel and Daniele (2003). Music Perception, 21, 267–271.CrossRef Huron, D., & Ollen, J. (2003). Agogic contrast in French and English themes: Further support for Patel and Daniele (2003). Music Perception, 21, 267–271.CrossRef
go back to reference Keller, P. E., & Repp, B. H. (2005). Staying offbeat: sensorimotor syncopation with structured and unstructured auditory sequences. Psychological Research, 69, 292–309.PubMedCrossRef Keller, P. E., & Repp, B. H. (2005). Staying offbeat: sensorimotor syncopation with structured and unstructured auditory sequences. Psychological Research, 69, 292–309.PubMedCrossRef
go back to reference Kelly, M. H., & Rubin, D. C. (1988). Natural rhythmic patterns in English verse: Evidence from child counting-out rhymes. Journal of Memory and Language, 27(6), 718–740.CrossRef Kelly, M. H., & Rubin, D. C. (1988). Natural rhythmic patterns in English verse: Evidence from child counting-out rhymes. Journal of Memory and Language, 27(6), 718–740.CrossRef
go back to reference Kessinger, R. H., & Blumstein, S. E. (1998). Effects of speaking rate on voice-onset time and vowel production: Some implications for perception studies. Journal of Phonetics, 26, 117–128.CrossRef Kessinger, R. H., & Blumstein, S. E. (1998). Effects of speaking rate on voice-onset time and vowel production: Some implications for perception studies. Journal of Phonetics, 26, 117–128.CrossRef
go back to reference Kiparsky, P. (1977). The rhythmic structure of English verse. Linguistic Inquiry, 8, 189–247. Kiparsky, P. (1977). The rhythmic structure of English verse. Linguistic Inquiry, 8, 189–247.
go back to reference Lehiste, I. (1973). Rhythmic units and syntactic units in production and perception. Journal of the Acoustical Society of America, 54, 1228–1234.PubMedCrossRef Lehiste, I. (1973). Rhythmic units and syntactic units in production and perception. Journal of the Acoustical Society of America, 54, 1228–1234.PubMedCrossRef
go back to reference Lehiste, I. (1977). Isochrony reconsidered. Journal of Phonetics, 5, 253–263. Lehiste, I. (1977). Isochrony reconsidered. Journal of Phonetics, 5, 253–263.
go back to reference Liberman, M. (1975). The intonational system of English. Unpublished doctoral dissertation, Massachusetts Institute of Technology, Cambridge. Liberman, M. (1975). The intonational system of English. Unpublished doctoral dissertation, Massachusetts Institute of Technology, Cambridge.
go back to reference Liberman, M., & Prince, A. (1977). On stress and linguistic rhythm. Linguistic Inquiry, 8, 249–336. Liberman, M., & Prince, A. (1977). On stress and linguistic rhythm. Linguistic Inquiry, 8, 249–336.
go back to reference London, J. (2004). Hearing in time: Psychological aspects of musical meter. New York: Oxford University Press.CrossRef London, J. (2004). Hearing in time: Psychological aspects of musical meter. New York: Oxford University Press.CrossRef
go back to reference Low, E. L., Grabe, E., & Nolan, F. (2000). Quantitative characterisations of speech rhythm: Syllable-timing in Singapore English. Language and Speech, 43, 377–401.CrossRef Low, E. L., Grabe, E., & Nolan, F. (2000). Quantitative characterisations of speech rhythm: Syllable-timing in Singapore English. Language and Speech, 43, 377–401.CrossRef
go back to reference Martin, X. P., Deltenre, P., Hoonhorst, I., Markessis, E., Rossion, B., & Colin, C. (2007). Perceptual biases for rhythm: The Mismatch Negativity latency indexes the privileged status of binary vs non-binary interval ratios. Clinical Neurophysiology, 118, 2709–2715.CrossRef Martin, X. P., Deltenre, P., Hoonhorst, I., Markessis, E., Rossion, B., & Colin, C. (2007). Perceptual biases for rhythm: The Mismatch Negativity latency indexes the privileged status of binary vs non-binary interval ratios. Clinical Neurophysiology, 118, 2709–2715.CrossRef
go back to reference McAuley, J. D., & Dilley, L. C. (2004). Acoustic correlates of perceived rhythm in spoken English. Journal of the Acoustical Society of America, 115, 2397–2398.CrossRef McAuley, J. D., & Dilley, L. C. (2004). Acoustic correlates of perceived rhythm in spoken English. Journal of the Acoustical Society of America, 115, 2397–2398.CrossRef
go back to reference Miller, J. L., Green, K. P., & Reeves, A. (1986). Speaking rates and segments: A look at the relation between speech production and speech perception for the voicing contrast. Phonetica, 43, 106–115.CrossRef Miller, J. L., Green, K. P., & Reeves, A. (1986). Speaking rates and segments: A look at the relation between speech production and speech perception for the voicing contrast. Phonetica, 43, 106–115.CrossRef
go back to reference Miller, J. L., & Volaitis, L. E. (1989). Effect of speaking rate on the perceptual structure of a phonetic category. Perception and Psychophysics, 46(6), 505–512.PubMedCrossRef Miller, J. L., & Volaitis, L. E. (1989). Effect of speaking rate on the perceptual structure of a phonetic category. Perception and Psychophysics, 46(6), 505–512.PubMedCrossRef
go back to reference Morgan, J. L. (1996). A rhythmic bias in preverbal speech segmentation. Journal of Memory and Language, 35, 666–688.CrossRef Morgan, J. L. (1996). A rhythmic bias in preverbal speech segmentation. Journal of Memory and Language, 35, 666–688.CrossRef
go back to reference Morton, J., Marcus, S., & Frankish, C. (1976). Perceptual centers (P-centers). Psychological Review, 83, 405–408.CrossRef Morton, J., Marcus, S., & Frankish, C. (1976). Perceptual centers (P-centers). Psychological Review, 83, 405–408.CrossRef
go back to reference Nazzi, T., & Ramus, F. (2003). Perception and acquisition of linguistic rhythm by infants. Speech Communication, 41, 233–243.CrossRef Nazzi, T., & Ramus, F. (2003). Perception and acquisition of linguistic rhythm by infants. Speech Communication, 41, 233–243.CrossRef
go back to reference Ornstein, R. E. (1969). On the experience of time. Harmondsworth: Penguin. Ornstein, R. E. (1969). On the experience of time. Harmondsworth: Penguin.
go back to reference Palmer, C., & Kelly, M. H. (1992). Linguistic prosody and musical meter in song. Journal of Memory and Language, 31(4), 525–542.CrossRef Palmer, C., & Kelly, M. H. (1992). Linguistic prosody and musical meter in song. Journal of Memory and Language, 31(4), 525–542.CrossRef
go back to reference Palmer, C., & Krumhansl, C. L. (1990). Mental representations for musical meter. Journal of Experimental Psychology: Human Perception and Performance, 16, 728–741.PubMed Palmer, C., & Krumhansl, C. L. (1990). Mental representations for musical meter. Journal of Experimental Psychology: Human Perception and Performance, 16, 728–741.PubMed
go back to reference Pariyadath, V., & Eagleman, D. (2007). The effect of predictability on subjective duration. PLoS One, 2(11), e1264. Pariyadath, V., & Eagleman, D. (2007). The effect of predictability on subjective duration. PLoS One, 2(11), e1264.
go back to reference Patel, A. D., & Daniele, J. R. (2003). An empirical comparison of rhythm in language and music. Cognition, 87, B35–B45.PubMedCrossRef Patel, A. D., & Daniele, J. R. (2003). An empirical comparison of rhythm in language and music. Cognition, 87, B35–B45.PubMedCrossRef
go back to reference Patel, A. D., Iversen, J. R., & Rosenberg, J. C. (2006). Comparing the rhythm and melody of speech and music: The case of British English and French. Journal of the Acoustical Society of America, 119, 3034–3047.PubMedCrossRef Patel, A. D., Iversen, J. R., & Rosenberg, J. C. (2006). Comparing the rhythm and melody of speech and music: The case of British English and French. Journal of the Acoustical Society of America, 119, 3034–3047.PubMedCrossRef
go back to reference Pompino-Marschall, B. (1989). On the psychoacoustic nature of the P-centre phenomenon. Journal of Phonetics, 17, 175–192. Pompino-Marschall, B. (1989). On the psychoacoustic nature of the P-centre phenomenon. Journal of Phonetics, 17, 175–192.
go back to reference Povel, D. J. (1981). Internal representation of simple temporal patterns. Journal of Experimental Psychology: Human Perception and Performance, 7(1), 3–18.PubMed Povel, D. J. (1981). Internal representation of simple temporal patterns. Journal of Experimental Psychology: Human Perception and Performance, 7(1), 3–18.PubMed
go back to reference Prince, A. (1989). Metrical forms. In P. Kiparsky & G. Youmans (Eds.), Phonetics and phonology: Rhythm and meter (pp. 45–80). San Diego: Academic Press. Prince, A. (1989). Metrical forms. In P. Kiparsky & G. Youmans (Eds.), Phonetics and phonology: Rhythm and meter (pp. 45–80). San Diego: Academic Press.
go back to reference Quené, H., & van Delft, L. E. (2010). Non-native durational patterns decrease speech intelligibility. Speech Communication, 52(11-12), 911-918. Quené, H., & van Delft, L. E. (2010). Non-native durational patterns decrease speech intelligibility. Speech Communication, 52(11-12), 911-918.
go back to reference Ramus, F., & Mehler, J. (1999). Language identification with suprasegmental cues: A study based on speech resynthesis. Journal of the Acoustical Society of America, 105(1), 512–521.PubMedCrossRef Ramus, F., & Mehler, J. (1999). Language identification with suprasegmental cues: A study based on speech resynthesis. Journal of the Acoustical Society of America, 105(1), 512–521.PubMedCrossRef
go back to reference Repp, B. H. (2008). Metrical subdivision results in subjective slowing of the beat. Music Perception, 26(1), 19–39.CrossRef Repp, B. H. (2008). Metrical subdivision results in subjective slowing of the beat. Music Perception, 26(1), 19–39.CrossRef
go back to reference Repp, B. H., London, J., & Keller, P. E. (2005). Production and synchronization of uneven rhythms at fast tempi. Music Perception, 23(1), 61–78.CrossRef Repp, B. H., London, J., & Keller, P. E. (2005). Production and synchronization of uneven rhythms at fast tempi. Music Perception, 23(1), 61–78.CrossRef
go back to reference Repp, B. H., Windsor, W. L., & Desain, P. (2002). Effects of tempo on the timing of simple musical rhythms. Music Perception, 19(4), 565–593.CrossRef Repp, B. H., Windsor, W. L., & Desain, P. (2002). Effects of tempo on the timing of simple musical rhythms. Music Perception, 19(4), 565–593.CrossRef
go back to reference Roach, P. (1982). On the distinction between ‘stress-timed’ and ‘syllable-timed’ languages. In D. Crystal (Ed.), Linguistic Controversies (pp. 73–79). London: Arnold. Roach, P. (1982). On the distinction between ‘stress-timed’ and ‘syllable-timed’ languages. In D. Crystal (Ed.), Linguistic Controversies (pp. 73–79). London: Arnold.
go back to reference Rodríguez-Vázquez, R. (2010). Text-setting constraints: A comparative perspective. Australian Journal of Linguistics, 30(1), 19–34.CrossRef Rodríguez-Vázquez, R. (2010). Text-setting constraints: A comparative perspective. Australian Journal of Linguistics, 30(1), 19–34.CrossRef
go back to reference Rothermich, K., Schmidt-Kassow, M., & Kotz, S. A. (2012). Rhythm’s gonna get you: Regular meter facilitates semantic sentence processing. Neuropsychologia, 50, 232–244.PubMedCrossRef Rothermich, K., Schmidt-Kassow, M., & Kotz, S. A. (2012). Rhythm’s gonna get you: Regular meter facilitates semantic sentence processing. Neuropsychologia, 50, 232–244.PubMedCrossRef
go back to reference Schiffman, H. R., & Bobko, D. J. (1974). Effects of stimulus complexity on the perception of brief temporal intervals. Journal of Experimental Psychology, 103(1), 156–159. Schiffman, H. R., & Bobko, D. J. (1974). Effects of stimulus complexity on the perception of brief temporal intervals. Journal of Experimental Psychology, 103(1), 156–159.
go back to reference Scott, D. R. (1982). Duration as a cue to the perception of a phrase boundary. Journal of the Acoustical Society of America, 71(4), 996–1007.PubMedCrossRef Scott, D. R. (1982). Duration as a cue to the perception of a phrase boundary. Journal of the Acoustical Society of America, 71(4), 996–1007.PubMedCrossRef
go back to reference Scott, S. K. (1993). P-centres in speech: An acoustic analysis. Unpublished doctoral dissertation, University College, London. Scott, S. K. (1993). P-centres in speech: An acoustic analysis. Unpublished doctoral dissertation, University College, London.
go back to reference Scott, S. K. (1998). The point of P-centres. Psychological Research, 61, 4–11.CrossRef Scott, S. K. (1998). The point of P-centres. Psychological Research, 61, 4–11.CrossRef
go back to reference Scott, D. R., Isard, S. D., & de Boysson-Bardies, B. (1985). Perceptual isochrony in English and in French. Journal of Phonetics, 13, 155–162. Scott, D. R., Isard, S. D., & de Boysson-Bardies, B. (1985). Perceptual isochrony in English and in French. Journal of Phonetics, 13, 155–162.
go back to reference Selkirk, E. O. (1984). Phonology and syntax: The relation between sound and structure. Cambridge: The MIT Press. Selkirk, E. O. (1984). Phonology and syntax: The relation between sound and structure. Cambridge: The MIT Press.
go back to reference Thomas, E. A. C., & Brown, I. (1974). Time perception and the filled-duration illusion. Perception and Psychophysics, 16, 449–458.CrossRef Thomas, E. A. C., & Brown, I. (1974). Time perception and the filled-duration illusion. Perception and Psychophysics, 16, 449–458.CrossRef
go back to reference Turk, A. E., & Shattuck-Hufnagel, S. (2000). Word-boundary-related duration patterns in English. Journal of Phonetics, 28, 397–440.CrossRef Turk, A. E., & Shattuck-Hufnagel, S. (2000). Word-boundary-related duration patterns in English. Journal of Phonetics, 28, 397–440.CrossRef
go back to reference Wallin, J. E. W. (1901). Researches on the rhythm of speech. In E. W. Scripture (Ed.), Studies from the Yale Psychological Laboratory (Vol. 9). New Haven: Yale University. Wallin, J. E. W. (1901). Researches on the rhythm of speech. In E. W. Scripture (Ed.), Studies from the Yale Psychological Laboratory (Vol. 9). New Haven: Yale University.
go back to reference Wearden, J. H., Norton, R., Martin, S., & Montford-Bebb, O. (2007). Internal clock processes and the filled-duration illusion. Journal of Experimental Psychology: Human Perception and Performance, 33(3), 716–729.PubMed Wearden, J. H., Norton, R., Martin, S., & Montford-Bebb, O. (2007). Internal clock processes and the filled-duration illusion. Journal of Experimental Psychology: Human Perception and Performance, 33(3), 716–729.PubMed
go back to reference Weismiller, E. R. (1989). Triple threats to duple rhythm. In P. Kiparsky & G. Youmans (Eds.), Phonetics and phonology: Rhythm and meter (pp. 261–290). San Diego: Academic Press. Weismiller, E. R. (1989). Triple threats to duple rhythm. In P. Kiparsky & G. Youmans (Eds.), Phonetics and phonology: Rhythm and meter (pp. 261–290). San Diego: Academic Press.
go back to reference Wenk, B. J. (1987). Just in time: On speech rhythms in music. Linguistics, 25(5), 969–982. Wenk, B. J. (1987). Just in time: On speech rhythms in music. Linguistics, 25(5), 969–982.
go back to reference Wenk, B. J., & Wioland, F. (1982). Is French really syllable-timed? Journal of Phonetics, 10, 193–216. Wenk, B. J., & Wioland, F. (1982). Is French really syllable-timed? Journal of Phonetics, 10, 193–216.
go back to reference Williams, B., & Hiller, S. M. (1994). The question of randomness in English foot timing: A control experiment. Journal of Phonetics, 22, 423–439. Williams, B., & Hiller, S. M. (1994). The question of randomness in English foot timing: A control experiment. Journal of Phonetics, 22, 423–439.
go back to reference Winn, M. B., & Idsardi, W. J. (2008). Musical evidence regarding trochaic inversions. Language & Literature, 17(4), 335–349.CrossRef Winn, M. B., & Idsardi, W. J. (2008). Musical evidence regarding trochaic inversions. Language & Literature, 17(4), 335–349.CrossRef
go back to reference Witten, I. H. (1977). A flexible scheme for assigning timing and pitch to synthetic speech. Language and Speech, 20(3), 240–260.PubMed Witten, I. H. (1977). A flexible scheme for assigning timing and pitch to synthetic speech. Language and Speech, 20(3), 240–260.PubMed
Metagegevens
Titel
Metrical perception of trisyllabic speech rhythms
Auteur
Fernando Benadon
Publicatiedatum
01-01-2014
Uitgeverij
Springer Berlin Heidelberg
Gepubliceerd in
Psychological Research / Uitgave 1/2014
Print ISSN: 0340-0727
Elektronisch ISSN: 1430-2772
DOI
https://doi.org/10.1007/s00426-013-0480-1

Andere artikelen Uitgave 1/2014

Psychological Research 1/2014 Naar de uitgave