Abstract
We report evidence that long-term memory retains absolute (accurate) features of perceptual events. Specifically, we show that memory for music seems to preserve the absolute tempo of the musical performance. In Experiment 1, 46 subjects sang two different popular songs from memory, and their tempos were compared with recorded versions of the songs. Seventy-two percent of the productions on two consecutive trials came within 8% of the actual tempo, demonstrating accuracy near the perceptual threshold (JND) for tempo. In Experiment 2, a control experiment, we found that folk songs lacking a tempo standard generally have a large variability in tempo; this counters arguments that memory for the tempo of remembered songs is driven by articulatory constraints. The relevance of the present findings to theories of perceptual memory and memory for music is discussed.
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This research was supported by a National Defense Science and Engineering Graduate Fellowship to the first author, and by NSF Research Grant BNS 85-11685 to R. N. Shepard. This report was prepared in part while the first author was a Visiting Research Fellow at the Center for Computer Research in Music and Acoustics, Stanford University, Winter 1994–1995.
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Levitin, D.J., Cook, P.R. Memory for musical tempo: Additional evidence that auditory memory is absolute. Perception & Psychophysics 58, 927–935 (1996). https://doi.org/10.3758/BF03205494
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DOI: https://doi.org/10.3758/BF03205494