Elsevier

Biological Psychology

Volume 96, February 2014, Pages 144-149
Biological Psychology

Automatic facial responses to near-threshold presented facial displays of emotion: Imitation or evaluation?

https://doi.org/10.1016/j.biopsycho.2013.12.009Get rights and content

Abstract

Automatic facial reactions to near-threshold presented facial displays of emotion can be due to motor-mimicry or evaluation. To examine the mechanisms underlying such automatic facial responses we presented facial displays of joy, anger, and disgust for 16.67 ms with a backwards masking technique and assessed electromyographic activity over the zygomaticus major, the levator labii, and the corrugator supercilii. As expected, we found that participants responded to displays of joy with contractions of the zygomaticus major and to expressions of anger with contractions of the corrugator supercilii. Critically, facial displays of disgust automatically activated the corrugator supercilii rather than the levator labii. This supports the notion that evaluative processes mediate facial responses to near-threshold presented facial displays of emotion rather than direct mimicry of emotional facial features.

Introduction

Facial expressions of emotions are highly significant social signals. Given the frequency of exposure in everyday life, it is not surprising that facial displays of emotion can be processed automatically. A fascinating finding demonstrated that congruent automatic facial responses occur even to subliminally presented facial displays of emotion (Dimberg, Thunberg, & Elmehead, 2000). In their study, participants’ electromyographic (EMG) facial responses to subliminal presentations of angry, smiling, or neutral facial displays evoked congruent muscle responses in the viewer; the zygomaticus was activated by happy, the corrugator muscle by angry faces even though these faces were not consciously perceived. In the current research we focus on the mechanisms by which these congruent facial responses to subliminally presented facial displays occur. We will compare two alternative explanations that may account for such facial responses under such limited information processing conditions.

Section snippets

Motor-mimicry

One mechanism that might account for congruent facial responses to subliminally presented facial displays of emotion is the tendency to spontaneously mimic these behaviors. The tendency to unintentionally imitate the behavior of observed others is seen as a basis for various forms of social behavior such as affiliation, rapport, emotional contagion or pro-social behavior (Preston & de Waal, 2002). Lipps (1907) was among the first to propose that empathy hinges on unintentional imitation of

Evaluative processes

Another mechanism that might account for congruent facial responses to subliminally presented facial displays of emotion is fast automatic evaluative processes. From this point of view, the subliminal angry or smiling faces in the Dimberg et al. (2000) study may have automatically activated evaluative processes which in turn may have activated corresponding muscle responses. From our point of view, this account is more plausible than the motor-mimicry assumption: First, it is consistent with

Responses to facial disgust

One way to find an answer to the question if mimicry or evaluative responses mediate the influence of subliminally presented facial expressions of emotion might be to employ a facial expression that encompasses emotion specific muscle contractions. In this respect, the facial expression of disgust may be particularly interesting because this emotional expression includes the activation of facial muscles that are unique as well as facial muscle that also occur in other negative emotions.

Overview

In order to examine the mechanisms of automatic facial responses to facial displays of emotion in more detail, we closely followed the experimental design of Dimberg et al. (2000), with five exceptions: First of all, instead of a condition with neutral facial expressions, we included a condition with facial displays of disgust. The rationale was that the contraction of the levator labii is highly specific for the expression of disgust which has been shown in previous research (de Jong et al.,

Participants and design

Participants were 52 undergraduate psychology students of the University of Würzburg, Germany. They received 5€ (approximately 6.60 US$ at that time) for their participation. A 3 × 3 design with the within-subjects factors (a) prime (happy vs. angry vs. disgust), and (b) muscle (zygomaticus major vs. corrugator supercilii vs. levator labii) was employed.

Apparatus

Facial muscle activity was assessed with bipolar Ag/AgCl well-electrodes with a contact surface diameter of 5 mm. The electrodes were placed on

Results

The data from one participant was dropped from further analysis because she had more than 50% missing data. We computed differences between the EMG responses (in microvolts) of each muscle to each prime and the baseline level before the presentation of each prime stimulus. We then analyzed the EMG responses in steps of 100 ms after prime onset. This results in a Prime (happy vs. angry vs. disgusted) × Muscle (zygomaticus vs. corrugator vs. levator) × Time (14 time windows) analysis. For each muscle,

Discussion

The objective of the current research was to find the mechanism underlying facial responses to the rapid and masked presentation of facial displays of another person's emotion. This method allowed for effectively blocking the ability to consciously differentiate the specific emotion on display. However, positive facial expressions could be detected above chance, suggesting that valence differences could be decoded under these conditions. As was pointed out above, such automatic responses to

Author note

This research was supported by the German Research Foundation (FOR 605) and the Federal Ministry of Education and Research, BMBF, project 01EO1004 (SMS, Comprehensive Heart Failure Center [CHFC], University of Würzburg, Germany). Regarding author contribution we applied the “sequence-determines-credit” approach (i.e. the sequence of authors reflects the declining importance of their contribution).

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