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Gepubliceerd in: Psychological Research 5/2012

01-09-2012 | Original Article

Expressiveness in musical emotions

Auteurs: Sandrine Vieillard, Mathieu Roy, Isabelle Peretz

Gepubliceerd in: Psychological Research | Uitgave 5/2012

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Abstract

This study was designed to investigate how emotion category, characterized by distinct musical structures (happiness, sadness, threat) and expressiveness (mechanical, expressive) may influence overt and covert behavioral judgments and physiological responses in musically trained and untrained listeners. Mechanical and expressive versions of happy, sad and scary excerpts were presented while physiological measures were recorded. Participants rated the intensity of the emotion they felt. In addition, they monitored excerpts for the presence of brief breaths. Results showed that the emotion categories were rated higher in the expressive than in the mechanical versions and that this effect was larger in musicians. Moreover, expressive excerpts were found to increase skin conductance level more than the mechanical ones, independently of their arousal value, and to slow down response times in the breath detection task relative to the mechanical versions, suggesting enhanced capture of attention by expressiveness. Altogether, the results support the key role of the performer’s expression in the listener’s emotional response to music.
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Voetnoten
1
We asked the violinist to play in three ways: mechanical (machine like), with expression and with too much expression (like a caricature). These three levels of expressivity were difficult to achieve for the violinist, especially for the scary music. Therefore, we selected the best renditions of expressivity depending on the target version (mechanical versus expressive).
 
2
To be sure that all participants understood the term ‘expressiveness’ in the same way, we indicated that they had to estimate to what extent each musical excerpt powerfully evoked emotions.
 
3
The 10-s duration of the rest period between pieces was the minimum time allocated to the return to the baseline. At the end of each trial, the experimenter carefully scrutinized the SCL and initiated the next trial only when it had stabilized, making sure that measure did return to baseline between pieces.
 
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Metagegevens
Titel
Expressiveness in musical emotions
Auteurs
Sandrine Vieillard
Mathieu Roy
Isabelle Peretz
Publicatiedatum
01-09-2012
Uitgeverij
Springer-Verlag
Gepubliceerd in
Psychological Research / Uitgave 5/2012
Print ISSN: 0340-0727
Elektronisch ISSN: 1430-2772
DOI
https://doi.org/10.1007/s00426-011-0361-4

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