Skip to main content

How to Read Red: Red in Western Culture (Part II)

  • Conference paper
  • First Online:
Advances in Ergonomics in Design (AHFE 2019)

Part of the book series: Advances in Intelligent Systems and Computing ((AISC,volume 955))

Included in the following conference series:

  • 2271 Accesses

Abstract

This article is part of the research project “Glossolalia, an alphabet on Design”. It focuses on the symbolic features of the color red, particularly in material culture in the West, traveling through words representing the various actions that elicit or derive from the use of red (correcting, punishing, prohibiting, protecting, distinguishing, loving, politicizing…). It also discusses similarities in the meanings of pink, purple and orange, the three colors that border RED.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 169.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 219.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

References

  1. Ferrão, L.: Color in Glossolalia: red in western culture (Part I). In: Ho, A.G. (ed.) Advances in Human Factors in communication of Design. AHFE 2018, vol. 796, pp. 15–25. Springer, Cham (2019). https://doi.org/10.1007/978-3-319-93888-2_2

    Google Scholar 

  2. Pastoureau, M., Simonnet, D.: Couleurs, le grand livre, p. 26. Éditions Panama, Paris (2008)

    Google Scholar 

  3. France-Italie 2006: les aveux de l’arbitre sur l’expulsion de Zidane. https://rmcsport.bfmtv.com/football/france-italie-2006-aveux-l-arbitre-l-expulsion-zidane-546957.html

  4. Les matchs les plus marquants de l’histoire de la Coupe du monde de foot. https://www.mennenfrance.fr/article/les-matchs-les-plus-marquants-de-l-histoire-de-la-coupe-du-monde-de-foot_a72/1

  5. The International Football Association Board (IFAB): Laws of the game 2017/2018. https://football-technology.fifa.com/media/1245/lotg_17_18_en.pdf

  6. FIFA, Ken Aston, the inventor of yellow and red cards. https://www.fifa.com/development/news/y=2002/m=1/news=ken-aston-the-inventor-yellow-and-red-cards-80623.html

  7. International Organization for Standardization. https://www.iso.org/standard/51021.html

  8. International Organization for Standardization. https://www.iso.org/standard/66836.html

  9. International Organization for Standardization. https://www.iso.org/standard/55814.html

  10. International Organization for Standardization. https://www.iso.org/standard/51000.html

  11. Pastoureau, M.: Red: The History of a Color. Transl. by J. Gladding, pp. 152–154. Princeton University Press, Princeton and Oxford (2016)

    Google Scholar 

  12. Humphrey-Smith, C.: Why three leopards? Coat of Arms. 126 (1983). https://www.theheraldrysociety.com/articles/why-three-leopards/

  13. Royal MS 14 C VII. http://www.bl.uk/manuscripts/Viewer.aspx?ref=royal_ms_14_c_vii_f085v

  14. Richard and Philip of France, French manuscript of 1261. https://en.wikipedia.org/wiki/Richard_I_of_England#/media/File:Philippe_Auguste_et_Richard_IIIe_croisade.jpg

  15. Douce Apocalypse, Bodleian Ms180 - p. 078. https://upload.wikimedia.org/wikipedia/commons/3/3c/Douce_Apocalypse_-_Bodleian_Ms180_-_p.078_Destruction_of_the_great_whore.jpg

  16. William Blake, the Whore of Babylon. https://upload.wikimedia.org/wikipedia/commons/4/41/William_Blake_whore_babylon.jpg

  17. Wine and Whore of Babylon. https://thegenealogyofstyle.wordpress.com/2014/10/04/wine-and-whore-of-babylon/

  18. Impelluso, L.: La natura e i suoi simboli: piante, fiori e animali (Nature and its symbols: plants, flowers and animals), pp. 144–145. Electa, Milano (2003)

    Google Scholar 

  19. Ripa, C.: Iconografia, p. 81. Roma, Lepido Facij (1603 [1593])

    Google Scholar 

  20. Pastoureau, M.: Red: Rouge: histoire d’une couleur (The History of a Color), p. 163. Éditions du Seuil, Paris (2016)

    Google Scholar 

  21. Unité et indivisibilité de la République. https://gallica.bnf.fr/ark:/12148/btv1b8412144g/f1.item.r=Unit%C3%A9%20et%20indivisibilit%C3%A9%20de%20la%20R%C3%A9publique

  22. Unité, indivisibilité de la République. Liberté, égalité, fraternité, ou la mort: Dieu, peuple, loi. https://gallica.bnf.fr/ark:/12148/btv1b69503824.item

  23. Flag of the Soviet Union. https://en.wikipedia.org/wiki/Flag_of_the_Soviet_Union

  24. Rodchenko. https://artedeximena.wordpress.com/arte-contemporaneo/constructivismo/ua-cartel-de-propaganda-rodchenko-1924-litografia/

  25. Outstanding Constructivism Typography - El Lissitzky and Vladimir Mayakovsky. https://twitter.com/chladek/status/577167446441852930

  26. Kurt Schwitters – Pelikan. http://indexgrafik.fr/kurt-schwitters/kurt-schwitters-pelikan-02/

  27. Tschichold, J.: The new typography. Transl. by Ruari McLean. Introd. by Robin Kinross. University of California Press, Berkeley (1995 [1928])

    Google Scholar 

  28. Eskilson, S.: Graphic Design a New History. Laurence King Publishers, London (2007)

    Google Scholar 

  29. Alexander Adriaenssen, still life (c.1650). http://wga.hu

  30. Cornelisz de Heem, still life, mid 17th century. http://wga.hu

  31. François Boucher, Marquise de Pompadour (1758). http://wga.hu

  32. Jean-Étienne Liotard, L’Archiduchesse Marie-Antoiette d’Autriche, future Reine de France, à l’âge de 7 ans (1762). https://commons.wikimedia.org/wiki/File:Jean-%C3%89tienne_Liotard,_L%27Archiduchesse_Marie-Antoinette_d%27Autriche,_future_Reine_de_France,_%C3%A0_l%27%C3%A2ge_de_7_ans_(1762)_-_02.jpg#/media/File:Maria_Antonia_of_Austria_1762_by_Liotard.jpg

  33. The Woolaston White Children (inspired by Anthony van Dyck), (c.1780). https://artuk.org/discover/artworks/the-woolaston-white-children-167390

  34. French Beauty Secrets Every Woman Should Know, According to Marie Antoinette. https://www.vogue.com/article/marie-antoinette-beauty-secrets-french-girl-hair-makeup

  35. French royalty as seen by Hollywood royalty. https://www.nytimes.com/2006/09/10/movies/moviesspecial/10hohe.html

  36. Shakespeare, W.: The Tragedy of Romeo and Juliet (1597). http://www.hatrack.com/osc/other/romeoandjuliet/rj.pdf

  37. Paterson, I.: A Dictionary of Colour: A Lexicon of the Language of Colour, p. 405. Thorogood Publishing, London (2003)

    Google Scholar 

  38. Portrait of Innocent X (c.1650). https://en.wikipedia.org/wiki/Portrait_of_Innocent_X

  39. Study after Velázquez’s Portrait of Pope Innocent X. https://en.wikipedia.org/wiki/Study_after_Vel%C3%A1zquez%27s_Portrait_of_Pope_Innocent_X

  40. Figure with Meat (portrait of Innocent X). https://www.artic.edu/artworks/4884/figure-with-meat

  41. Complete Rembrandt Catalogue: Landscapes. http://www.rembrandtpainting.net/complete_catalogue/landscape/ox.htm

  42. Chaim Soutine. https://www.christies.com/lotfinder/Lot/chaim-soutine-1893-1943-le-buf-5895984-details.aspx

  43. Collection on line, Francis Bacon, Three studies for a Crucifixion. https://www.guggenheim.org/artwork/293

  44. Pastoureau, M.: Dictionnaire des couleurs de notre temps: symbolique et société (Color Dictionary of Our Time: Symbolic and Society), pp. 143–144. Cristine Bonneton, Paris (2007)

    Google Scholar 

  45. Perrault, C.: Histoires ou contes du temp passé, avec des moralitez (The Fairy Tales of Charles Perrault), pp. 47–56. Claude Barban, Paris (1697). https://gallica.bnf.fr/ark:/12148/bpt6k10545223?rk=21459;2

  46. The Annotated Brothers Grimm. Edited with an introduction by M. Tatar, pp. 140–149. W.W. Norton, New York (2004)

    Google Scholar 

  47. The Annotated Hans Christian Anderson. Edited with an introduction by M. Tatar, pp. 251–262. W.W. Norton, New York (2008)

    Google Scholar 

  48. Little Red Riding Hood by Walter Crane. http://www.surlalunefairytales.com/illustrations/ridinghood/cranered.html

  49. Jung, K.: Man and His Symbols. Aldus Books, London (1964)

    Google Scholar 

  50. von Franz, M.-L.: Shadow and Evil in Fairy Tales. Revised edition. Shambhala Publications, Boston (1995 [1974])

    Google Scholar 

Download references

Acknowledgments

This research is financed by national funds by FCT – Fundação para a Ciência e a Tecnologia, in the scope of the projects SFRH/BPD/98427/2013, UID/EAT/04008/2019, and UID/AUR/04026/2019. The author is grateful to FCT for its support for the postdoc research entitled Glossolalia: An Alphabet of Critical Keywords on Design, to CIAUD – Centro de Investigação em Arquitetura, Urbanismo e Design, Faculdade de Arquitetura, Universidade de Lisboa, Portugal, and to CITAD – Centro de Investigação em Território, Arquitetura e Design, Universidades Lusíada, Portugal.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Leonor Ferrão .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2020 Springer Nature Switzerland AG

About this paper

Check for updates. Verify currency and authenticity via CrossMark

Cite this paper

Ferrão, L. (2020). How to Read Red: Red in Western Culture (Part II). In: Rebelo, F., Soares, M. (eds) Advances in Ergonomics in Design. AHFE 2019. Advances in Intelligent Systems and Computing, vol 955. Springer, Cham. https://doi.org/10.1007/978-3-030-20227-9_4

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-20227-9_4

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-030-20226-2

  • Online ISBN: 978-3-030-20227-9

  • eBook Packages: EngineeringEngineering (R0)

Publish with us

Policies and ethics